Sound & Light Setup — Rapla

The thing that moves the number is the room. A low ceiling pushes more speakers into the rig. Glass walls want absorption you would not need in a curtained hall. Concrete eats low end, wood bounces it back, and distance costs cable whether the audience hears the difference or not.

In Rapla the question is usually the venue itself — whether it has permanent infrastructure or whether the truck brings everything. That decision sets the floor. After that it is coverage: how far back the last row sits, whether you light for atmosphere or for a presentation someone has to read, and how many sources need to be heard clearly at the same time.