Concert — Narva

Most concert sound problems start in the room, not the rig. Narva venues range from Soviet-era cultural halls with concrete everywhere to renovated industrial spaces where the ceiling height changes three times. Each one reflects frequency differently, and what worked in Tallinn will not work here.

We arrive early enough to hear the room empty, map where the bass collects, and position the delays so the back wall hears the same show as the front. Power capacity gets checked on site, not assumed from a floor plan. If a breaker trips halfway through the headline set, the entire evening is the breaker, and nothing else.