Concert — Rapla

The acoustics in Rapla's hired halls tend toward concrete and tile — surfaces that throw every frequency straight back. A touring PA means testing the room empty, then retesting when three hundred bodies have arrived and absorbed half the energy in the low end.

Rigging follows the grid if the ceiling permits it; otherwise we ground-stack and angle upward, accepting the coverage compromise. Power capacity determines whether the backline runs balanced, and that conversation happens before the rider is signed. Every console decision and every lighting plot begins with what the room will not allow.